On reaching Hyderabad after many adventurous events, Sasi get hit by a glass bottle during a strike. Sasi tries reaching her friend in Hyderabad while escaping her relatives and finding her stolen ornaments with the help of Anand aka Abhimanyu who is deeply in love with her. As it turns out, Anand is Abhimanyu, the one she was supposed to marry, but due to dowry disputes with his dad, the wedding party leaves without him.
SASIREKHA PARINAYAM MOVIE MOVIE
They bond well during their acquaintance and the rest of the movie is about how she falls in love with Anand. Soon after, she runs into Anand ( Tharun). When the groom's father demands dowry on the wedding day, she runs away from her marriage. She is to see a video of the groom and his house, but stamps on it, declaring she doesn't want to get married. He should learn to trust his characters more.The independent and spirited Sashirekha ( Genelia) is ordered by her father to marry an NRI. Tailpiece: It is time that Krishna Vamsi comes out of the Chandamama hangover. The second half promises to be brilliant and except for the last half hour does not deliver on that promise. Me Thinks: Watch it, simply because there are few better movies running today. Sadly Krishna Vamsi, in search of that elusive hit, has taken himself too seriously and the strain shows. A marriage is above all a joyous occasion. In all those films, the one emotion that comes to mind is comedy. One only has to look at any number of Telugu films shot in Konaseema with marriage as the backdrop. But with M.S in the star cast, greatness is the minimum the audience expects. Narayana’s dialogues with the tax man are good. M.S.Narayana can make a dead man laugh and yet Krishna Vamsi does not have that comic timing to make use of such enormous talent. Krishna Vamsi simply does not have a funny bone in his frame. But one would think, it was a little too late. From here on, the film picks up pace and punch. Genelia could have so easily overdone herself, but like Jayasudha in Dasari Narayana Rao’s Sivaranjani, she uses admirable restraint. This scene is vintage Krishna Vamsi – minimum histrionics for maximum impact. A little into the second half she slips into a drunken banter and lays threadbare the hypocritical attitude of men and their inability to comprehend what a woman truly wants. What is Good : Genelia - she is coming into her own as an actress. Imtiaz Ali trusted Kareena more than Krishna Vamsi trusted Genelia. So why does me think that this is a 4-week run as against a 100-day run that jab we met was? The answer in one word is: faith. And if this film is any indication, Genelia can hold her own against Kareena’s histrionics. Krishna Vamsi in my book is a better director than Imtiaz Ali. I for one thought, Sasirekhap Parinayam would even be better than that. To cut a long story short, they end up marrying each other and live happily ever after. When the groom’s father Parachuri Gopalakrishna demands the entire dowry before the wedding, Sasirekha finds his attitude repulsive and runs away from home. It is about Sasirekha (Genelia) being summoned by her father for an overnight wedding to a NRI. And after nearly 2 ½ hours one can’t help but feel a sense of disappointment. As the titles roll out for Sasirekhpa Parinayam with that immortal “Ahana Pellanta” song from Maya Bazaar one can’t help but feel a sense of nostalgia. The director, after Khadgam, is somehow unable to find the right emotive mix for a blockbuster. Yet again Krishna Vamsi falters to deceive. Related Links: First day first show Videos Photos Starring : Tarun, Genelia, Ahuthi Prasad, Paruchuri Gopalakrishna, Sutthi Velu, MS Narayana, Ananth, Raghubabu, Subbha Raju.